Vera and Donald Blinken Open Society Archives
The context of the poem “A Breath of Air!”
The third edition of OFF-Biennale Budapest, INHALE!, takes the seminal political poem “A Breath of Air!” by 20th-century Hungarian poet Attila József as its starting point. The poem was written in November 1935. Apparently, it was a time of peace and plenty: Europe—and Hungary—had overcome the crisis of the Great Depression; the order was restored. But what kind of order was it that the poet “didn’t dream of”? The research and exhibition project presents the political and social context of the poem through archival materials, while contemporary artworks offer its possible 21st-century reading.
The exhibition was organized by the Vera and Donald Blinken Open Society Archives and the OFF-Biennale Budapest.
artists: Daniel BAKER, Vesna BUKOVEC, Krisztián KRISTÓF, Damir OČKO, Tamás PÁLL, Kata SZIVÓS–Dominika TRAPP–Noémi VARGA
curator: Katalin SZÉKELY
research: researchers of Blinken OSA
exhibition design: Virág BOGYÓ
date: April 23 – May 30, 2021
partners: Vera and Donald Blinken Open Society Archives, Verzió International Human Rights Documentary Film Festival
Date: October 14-16, 2021
Place: Blinken Open Society Archives, Central European University (Budapest), Hungary
The workshop aims to contribute to the discussion on knowledge practices in times of reflexive disbelief by addressing the role of scholars with regards to different truth regimes. Michel Foucault once remarked that the analysis of “truth” should go beyond the evaluation of isolated statements: truth regimes are power systems which produce and sustain certain truths in a circular way, through political and economic institutions. William Davies of “The Guardian” traced back the current popular skepticism vis-à-vis professional expertise to a paradigm shift in truth regimes: the immediacy of self-revelatory data has been replacing, through a multitude of revelations, leaks and informational wars dating as far back as the Cold War, the interpretative work by experts and journalists. It is worth re-assessing, from this point of view, how historical knowledge about the past can be used to address and carefully interpret facts and events reported or produced by those very informational wars before 1989, when the East and West were systemically opposed. In an era when individuals and academic communities are increasingly divided over matters of common concern, we consider it the duty of both historians and archivists to engage in a more reflexive manner with the problematic nature of records of the past.
Szabolcs KissPál Documentary Radio Play
Radio Tilos FM 90,3 MHz
January 10, Sunday, 2021, 12.30–1.30 p.m.
The events that took place hundred years ago are still leading to sharp, heated debates: which events do we consider national tragedies from the turn of the 1910s and 1920s? Whom do we consider victims to be emphasized as mementos for the collective memory? Whose blood was spilling from, so to say, the wounds of the nation? The documentary radio play by Szabolcs KissPál explores this issue through, on the one hand, the microhistories of the everyman of the era—the Jewish victims of the Red and White Terror—, and, on the other, through the great national narrative—the history of the Monument of National Martyrs, inaugurated in 1934, toppled in 1945, and reconstructed in 2019.
“Labor Research from Planned Economy to Savage Capitalism” is the title of a workshop conference organized by Voices of the 20th Century Archive and Research Group together with Vera and Donald Blinken Open Society Archives.
The conference is in Hungarian.
Date: December 3–4, 2020
Hungarian sociologists in the 1970s and 1980s conducted an immense amount of interview research concerning workers and broader topics of the world of labor, which would be close to impossible today. These researches, by the 2000s, became the standard professional sources of social history. Archives hold several collections that were and could become relevant sources of research. Based on these collections, this conference explores a significant tradition of Hungarian sociology; the research on labor and workers’ everyday circumstances, which began in the 1970s and 1980s, as well as its interpretations in social history and the history of sociology. The conference is inspired by the new collections acquired by the Voices of the 20th Century and the Centre for Social Sciences Research Documentation Centre.
The 17th VERZIÓ Human Rights Documentary Film Festival showcases 50 films from 39 different countries, online, 10–22 November. These films bring us closer to topics such as climate change and its consequences, freedom of the press today, political abuse of national resources, and the ongoing struggles of refugees.
Documentary filmmakers capture the transformation and challenges of humanity. By highlighting and celebrating these films, VERZIÓ aims to bring viewers closer to each other’s reality, to provide reliable information, and to raise awareness about common joys and sorrows around the world, and in doing so, to contribute to a more supportive society. This year, to achieve these goals, the festival, founded by the Blinken OSA Archives, presents films in the following sections: International Competition, Student and Debut Film Competition, Hungarian Competition, Anthropocene, In the Name of Justice, and Archive of the Planet.
Join the live events through Verzió's website or Facebook page. During the live discussions ask the guests in the chatbox or record your questions to the filmmakers and share them through the Vialog app, that you can find on the individual films’ pages and the front page as well.
Tickets and passes