Ladies and Gentlemen, Welcome to the opening of the “Afghanistan, the Graveyard of Empires - the Soviet War” exhibition at the Vera and Donald Blinken Open Society Archives at the Central European University. I am delighted to address you at the opening of this exhibition not only because I have the utmost honor and privilege to contribute a few items from my modest Soviet Afghan war collection, but also because my acceptance of this invitation from OSA was my way of saying “I STAND WITH CEU”.
A recent encounter with the concept of Visible Thinking (VT) during a training organized by the Amsterdam based Thinking Museum inspired this brief piece about its applicability in an archival setting. Blinken OSA is a repository of unique collections primarily related to the history of the Cold War and international human rights violations, a research center as well as a public space with exhibits, conferences, screenings, film festivals, a special archival teaching program, and education outreach programs for K-12 schools. So how can a complex institution such as Blinken OSA make use of VT to bring history closer to younger generations and encourage critical thinking? In the following, I will detail a few VT routines tailored to familiarize participants with particular archival collections and historical events, and rethink them in a contemporary context.
Blinken OSA held a presentation and an in-house seminar to explore the possibilities of human rights archives’ involvement in documenting and presenting the global refugee experience. This was at the same time the concluding event of a four-month internship on the same topic, a program run by George Mason University and hosted by Blinken OSA.
A call for democracy from the Soviet Samizdat Archives
The digitization of documents leaves those who study history without the charm of digging into the dusty stacks of documents, but HU OSA 298, the new collection of Free Europe Committee (FEC) materials allows scholars to experience the James Bond spirit as they search through the "strictly confidential" ciphered messages. New documents published by the Vera and Donald Blinken Open Society Archives (Blinken OSA) offer more insights into the history of CIA-funded RFE from the late 1960s and early 1970s.
The exhibition The Symbols of Socialist Art – Revisited at the Blinken OSA explores and critically re-evaluates the Communist Iconologia encapsulated in the visual dictionary of Nóra Aradi, the omnipotent guardian of Socialist Realism in Hungary, with the help of contemporary artists from Central and Eastern Europe. It also investigates the role Aradi had in the making of the Hungarian art history of the 2nd half of the 20th century.
Following a two-week extension, Blinken OSA closed its latest exhibition entitled Olympics and Politics: Berlin | Barcelona 1936 on September 10, 2016.
On June 16-17, 2016, over 25 human rights data professionals (information managers, librarians, documentalists, archivists, lawyers and activists) gathered in the Research Room of the Vera and Donald Blinken Open Society Archives at Central European University (CEU) in Budapest for the 37th annual meeting of the European Coordination Committee on Human Rights Documentation (ECCHRD).
The Open Society Archives proudly presents the on-line catalog of all the documentary films of Fekete Doboz Alapítvány (Black Box Foundation).
The Vera and Donald Blinken Open Society Archives (OSA) organized and hosted an international, cross-disciplinary conference and workshop on May 13-14, 2016.